Happy New Year!

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I remembered I’d written a pair of ‘mirror’ ficlets about New Year, some time ago so thought you might be interested to see them here. The first is dark and angsty, but the second, which starts with the same premise, holds out hope for the future and is the one you should regard as the ‘correct’ version.

New Year’s Resolution 1 (500 words)

He stroked the soft worn leather; fingered the prong on the well-known buckle – a snake swallowing its tail.

He watched her bring a bag of cast-offs, her own, her husband’s, her son’s. All for charity. The sick. The deserving. But when she looked at him there was no charity in her eyes.

He remembered skin, supple and brown as the belt encircling it. His eyes must have shouted their loss because he heard the girl on the stall say gently to him,

‘We haven’t priced this lot yet but if you really want it that badly …I’ll just ask.’ Then after muttering with another woman,

‘Is 50p OK?’

And he exchanged the 7-sided coin for a memory.

At Christmas he wore the belt close, like its owner had been. Had appeared to be. True closeness could not, surely, have been severed by the parental knife so surgically, easily, in one direction. The filaments of his own life were still entwined..

On New Year’s Eve he stayed in. Others had asked him to join them at parties, in bars, at meals in private houses and convivial restaurants. He had refused all invitations. Each thought he was with another, never imagining him alone. Their brilliant friend, star of every gathering.

He leafed through the photographs, glad he’d had them printed. The two of them, on the beach, in the woods, walking in the hills. First one, then the other, then, as familiarity with the camera brought confidence, both, smiling at the timer that allowed them to pose together. The belt showed clearly in some of the shots. He held it as he remembered, the leather warming beneath his touch.

He had never understood how they had known. Or how strong their hold was. How all that love and brightness could crumble to ash in the blaze of their fury. His invitation to leave, live with him for ever, had been spurned as if it came from the devil himself. The family had closed around their own, leaving him on the outside, not even looking in.

Did they know what they had destroyed? He sensed that they did.. That they were proud of their achievement, would be equally proud of the outcome.

He dreamed fitfully and rose at a quarter to twelve. He’d already set crossed sticks and balled paper in the grate. Now he carefully added the photographs and placed the belt on top. As the church clock started to chime the hour he lit the match and set fire to his life. Ringing bells across the town accompanied the beautiful flames.

His brain made moving pictures in the flickering orange and gold. Two young men. Teenagers still. A camping holiday that turned into something more. Turned, in the bitter end, to tears and mud. Careless of the remaining heat he smeared the debris across his forehead and lay down beside the hearth.

After that, it was easy, inevitable even, swallowing the bitter medicine. And falling gratefully, permanently, asleep.

New Year’s Resolution 2 (500 words)

He stroked the soft worn leather; fingered the prong on the well-known buckle – a snake swallowing its tail.

He watched her bring a bag of cast-offs, her own, her husband’s, her son’s. All for charity. The sick. The deserving. But when she looked at him there was no charity in her eyes.

He remembered skin, supple and brown as the belt encircling it. His eyes must have shouted their loss because he heard the girl on the stall say gently to him,

‘We haven’t priced this lot yet but if you really want it that badly …I’ll just ask.’ Then after muttering with another woman,

‘Is 50p OK?’

And he exchanged the 7-sided coin for a memory.

He wore it sometimes, savouring the closeness, his own skin tingling with the remembrance of touch. Mostly it stayed coiled on the windowsill, a memento of summer and teenage craziness, the buckle a reminder of desire and laughter. Bittersweet memories, like the nest of adders they’d disturbed on the South Downs. Tender memories like the night on the cliffs at Dover.

Then he would remember the homecoming and the look on their faces when they said he wasn’t welcome any more. The finality of the door closing in his face.

Christmas had no sparkle this year, despite the lights and the music. All he wanted was something he couldn’t have. And he imagined the scene in their house, the prodigal son restored, the fatted turkey roasted to perfection, the devil cast out. All their prayers answered. He made duty visits then returned home.

New Year approached on leaden feet but all at once he felt a stirring of courage. One final throw of the die, for the sake of his pride if nothing else. He bought wine, cheese, chocolates. Entertaining his as yet uninvited guest had to be treated as a foregone conclusion. He dressed with care and forced himself into the frosty streets.

When he let the knocker fall beneath its pine wreath and heard the echo in the hall he almost turned away. It was too like a death knell. But the door opened and a startled face blossomed with joy.

‘They said you’d gone away!’

‘They said you didn’t want to see me!’

And as easily as that the door swung shut and they were together. Running down the street hand in hand, shouting, laughing, crying. Shivering, too, in the icy east wind. His apartment, then, and a quick rummage through clothes that were all too big, too long, but were at least warm. A sweater that could be held in by the belt, restored to its rightful place. As he fastened it he knew it would have to be unfastened almost at once, but first, first …

They went out onto the balcony and stood, arms around each other’s shoulders, each holding a glass of wine. Wished the whole world a Happy New Year as the clocks chimed, then turned to the warmth, and to each other.

 

Favourite characters in my own writing

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Apart from the seasonal holly in our lane…

More questions and answers about my attitudes towards my writing.

For each of the genres/series already mentioned, what were your favourite characters to write?

There are four that stand out.

Harlequin, the narrator of my fae saga, tried to take over my mind while I was writing his journal. I loved having a muse who was so determined to be heard, so interesting (to me) and so prolific. Perhaps because the journal was necessarily written in first person, I identified with him quite strongly. I just wish he hadn’t told me his story in diary form because the formatting is horrendous.

Moth, his little sister, was another character who entered into my life very fully. I was asked to reply to the letters a friend’s grandchild had left to the fairies at the bottom of the garden and so Moth was born. She was a fae child, responding very seriously to a human child, and she had difficulties with writing, spelling, siblings, etc. She became very real to me and to everyone who was involved as I developed the children’s book. At the time, she was probably my favourite character to write but as she has grown up she holds less interest for me. Again, the letters were written in first person. I have held back on trying to publish Moth because the coloured gel pens the girls used are an integral part of the story. When it all started, publishers were not very interested in works that required too much coloured text. I discussed self publishing and decided it wasn’t economically viable at the time. The along came e-publishing but at first the only widely accessible outlets were black and white. I am now reconsidering the entire project.

You can see from these two that I tend, naturally, to think and write in first person in my original work. I know some people dislike reading first person accounts and prefer narrative in tight third person. However, I have never had a problem with either as a reader, and I find that if a character is telling me their story they tell me in their own voice and I simply scribe what they say.

Genef, the heroine of my fantasy detective series, is another favourite. She ‘speaks’ to me and makes the story telling effortless. Her dragon, Scratch, does the same. I started the series writing in first person but realised quite early in the first book that it wasn’t going to work for me and then had to rewrite extensively. In a detective story you have to leave clues for the reader, and the plot lines contained clues that Genef and Scratch couldn’t possibly have known about. So in a sense, the reader was ahead of them in the process of detection, a plot thread which I found interesting to develop. I know there are plenty of first person detective stories – they just weren’t something I felt capable of writing. I love writing the dragon, with his non-human and non-elf view of the world and all its events. He might be my favourite character of all. In the third book, the one that is currently being amended after beta, some of the chapters are in tight third person for the dragon because he has experiences the other characters can’t share and which are essential to the plot.

The first book is available here: http://www.amazon.co.uk/The-Scroll-Skilled-Investigators-Book-ebook/dp/B00WRIHW4U

or for people who have an e-reader other than a Kindle, here: https://www.smashwords.com/books/view/533349

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In all my work I am heavily invested in the main characters while I am writing, but the four I have mentioned are probably my all time ‘favourites’ since I have turned them into series, not just single stories or books.

There was a question as to whether any “muse” character speaks more than others, or tries to push their way in, even when the story isn’t about them? I have never had this happen, in either original fiction or fanfiction. I think my muses know their place, which certainly isn’t in stories that don’t belong to them! For me, a muse is the story teller in each individual story and they speak to me very strongly and directly. They might also speak to me outside the story, for instance to comment on something I have seen or visited. This helps me to get to know them better. For example, Moth might comment on the trees in a wood I have been to, telling me whether they would make good fae homes. I can’t imagine why any of them would want to muscle in on someone else’s story or distract me from other writing.

Another question asked for preferences in writing male or female characters and I really don’t have a preference. My characters are first and foremost characters with their own important stories to tell. Their gender is in some ways secondary to that. If I am under pressure, writing more than one story for various publishing needs and fanfic challenges, I might hear Harlequin step in and tell all the characters who are trying to tell me their story to be quiet and let me work. But that’s rare, and only happens if I’m feeling overwhelmed.

If that happens, it’s my own fault for taking on too much at once and I allow my subconscious to use that particular muse to sort the situation out because he’s good at it! I sometimes wonder whether writing is a bit like multiple personality disorder only comparatively benign.

The question about favourite characters is much harder to answer in relation to fanfiction. I write in multiple fandoms and in most of them I use the most obvious characters. For example, if the fandom is a cop buddy TV show the cop buddies will feature heavily in my writing. I enjoy reading about minor characters given their own story but rarely write them. If I look at all my fandoms, I would say that my favourites to write are probably, stupid though this might sound, whatever I am writing at the time. If I start a story, I live it until I’ve finished it and whilst writing, the relationships are my favourite ones ever and the characters take over my brain. However, they don’t continue to live there in the way that my original characters do.

There are, of course, in fanfiction, crossovers and fusions. When I write these, they are my reactions to canon, not at the initial instigation of the characters or muses. I am currently writing a Lewis/Harry Potter crossover series. It was started as a result of a prompt that appealed to me and a couple of photographs of the actors concerned that seemed to add something to the prompt. They have similar looks so I made them cousins and the plot developed from that. This seems to take me back to writing crossovers in my head as a child.

I’m always fascinated to hear how other people’s muses behave and how they approach their characters. So let me know!

And if you celebrate it, have a Happy Christmas!

Exploring writing

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I have been missing in action for some time. I have also been missing on my personal blog so don’t take it to heart. I’ve simply had an incredibly busy year, with family holidays taking up an enormous amount of time and research into autism (my grandson is autistic) the rest. I’m back, with a resolution to do better. The picture at the top of this post is the house we are renovating in Portugal – the main reason for my absence.

And then I wondered what to start with. This is basically my ‘writing’ blog, so it had to be writing-related.

I recently came across a ‘meme’ in my personal blog which encouraged writers to answer 30 questions. exploring their writing. It was designed for the fanfiction writer and I think you were supposed to post an answer every day for a month. More and more, as I read other people’s replies, I realised that my answers would be totally different for my original writing and my fanfiction writing. This surprised and intrigued me and as I enjoy exploring my own and others’ creative process I have tweaked the meme so that my answers are in two parts.

1: How did you first get into writing fiction, and what was the first fiction you wrote? What do you think it was about the activity that pulled you in?

My very first effort at writing fiction was at the age of 5 when I wrote a play – a fairy story – which my mother scribed and produced with her Brownie pack for the entertainment of the village. I was not old enough for Brownies (there were no Rainbows then) but I was allowed to join in, as author. I think there is still a copy, probably in a box in Portugal, but all I can remember is that it concerned a fairy called Bluebell. I had imaginary friends who lived in the trees that lined our vicarage drive, so I must have extrapolated from that to a full-blown story. I believe the Brownies and the village enjoyed the tale.

But I’m not sure drama counts, or the numerous poems and plays I wrote from then on. I played with both drama and poetry on and off, sometimes for my own pleasure and sometimes (as an adult) for work – modelling writing for my classes. I didn’t really approach fiction (except in my head) until I got a word processor. Writing long texts in longhand never appealed. I think my first attempt was a ghost story based around a location and people I knew, and very vaguely inspired by a combination of a story about haunted ruins in Richmond, where my mother was living at the time, and other stories of monsters in TV shows. The story is still on my hard drive and might eventually be extensively edited and shared.

I loved the process of developing a plotline in my head, seeing it take shape and finding out where it would go. I loved meeting characters and found that characters I had created took on a life of their own and became very real to me. I loved researching the background for my story e,g, locations, history, travel, etc. As I said above, my early efforts were all in my head and had been ongoing all my life. The advent of the wordprocessor (and a touch typing course) into my life made a huge difference and my stories got more complex as a direct result. Then a PC, Windows, and my horizons expanded. I took an Arthurian legend story I’d written in response to my annoyance with the national curriculum approach to poetry, got it edited by a writer friend and started to play with the idea of publication, encouraged by my editor.

I ended up self-publishing for reasons that I have explored elsewhere and The Lord of Shalott, which predated some of my other stories but took longer to reach the public was my first ‘real’ work of fiction. (There were other shorter pieces that saw publication in online zines earlier but they were written later.) It’s fantasy, it references other writers (especially Tennyson) and it’s an m/m romance. My favourite topics (for reading) have always been fantasy (and sci-fi or speculative fiction), history, legend, and m/m romance. So it’s no surprise that those underpinned my first steps into the world of fiction writing.

For any new readers of this blog, the novella is available on

Amazon (UK)http://www.amazon.co.uk/Lord-Shalott-Jay-Mountney-ebook/dp/B00AD9OLC6

Amazon.com http://www.amazon.com/Lord-Shalott-Jay-Mountney-ebook/dp/B00AD9OLC6/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1448649545&sr=1-1&keywords=The+Lord+of+Shalott+by+Jay+Mountney

or Smashwords https://www.smashwords.com/books/view/258487

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As for the fanfiction part of my writing:

1: How did you first get into writing fanfic, and what was the first fandom you wrote for? What do you think it was about that fandom that pulled you in?

When my daughter told me about fanfiction in 2005 I was very excited. I had been ‘writing’ (or at least composing) fanfic in my head since I was quite young and had thought I was on my own, and perhaps slightly mad. Finding out that other people did this too was like coming home. She also took me to Connotations, a fanfic writer’s convention, the following year or possibly late that year. Meeting other fans and writers was a wonderful experience.

My earliest efforts (in my head) were (in order) as follows:

1. Age about 7 or 8. All new characters I met were at some point transported to the seventeenth century in what would now be called a crossover with Children of the New Forest. I think I might have managed the occasional Mary Sue, as well, and sometimes ventured further afield to join Swiss Family Robinsion.

2. Age about 9 or 10. Retelling/remixes of most of Georgette Heyer’s regency romances with a slash focus. My nine-year-old self must have picked up on the undeniably slashy subtext in Ms Heyer’s work. I had not, of course, heard of the term ‘slash’ and it probably wasn’t in use back then but Md Heyer’s cross-dressing characters must have inspired me.

3. Age about 16. A return to crossovers, this time with Lord of the Rings’ Middle Earth as the ‘base station’ where other characters from other novels met, sometimes involving the Lord of the Rings characters and sometimes just using their world. (The world as built by Tolkien and my imagination – the films were a long way in the future.)

This pattern of mental composition continued, adding new books to the mix from time to time. I rarely used films because the ones I saw didn’t inspire me and I didn’t watch much TV – we didn’t watch it at boarding school, my family didn’t have TV until I was 16 and then once I went to uni at 17 I was without again, which continued till my daughter was about 4 and I was in my thirties. Someone took pity on us and gave us an old black and white set…

When I found out about fanfic some kind of floodgate opened in my head. The first story I read was set in Arthurian legend, which has always been one of my favourite fictional ‘verses’. I had been very angry at being asked to teach The Lady of Shalott to nine year olds with an emphasis on grammar, vocabulary and structure, ignoring the fact that the content (and vocabulary) was probably mystifying for many of them. That’s the National Curriculum for you. Anyway, a story had formed in my head as a kind of counter-attack and when I realised there was actually an Arthurian fandom I wrote my story for my daughter as a thank-you for introducing me to fanfic. I have since played with the story and self-published it as original fiction (see above) because of course the legends, and even Tennyson, are out of copyright. I love all kinds of Arthurian legend books and films and have done all my life; it wasn’t a stretch to find myself writing in the fandom. I have no idea how the fandom originally pulled me in – at some point as a child I must have decided that Camelot was the epitome of romance in the mediaeval sense of the word.

At virtually the same time, and also in response to my new discovery of this wonderful world, I wrote a short piece in Stargate SG1 because by now I was enjoying TV shows and I have always loved both fantasy and sci-fi. I particularly liked SG1 because of the exploration of the characters rather than a focus on technical details or special effects. I’d loved a lot of sci-fi, starting with John Wyndham’s books (we now have a large and possibly valuable collection of sci-fi novels) and then TV series like Dr Who and Blake’s 7 and films like Dark Star and Silent Running. So far as writing was concerned, SG1 just happened to be current when I discovered fandom as something I could join in.

So all of a sudden I had this new place to play, meet friends, enjoy reading and art, and discuss, write, etc. Daughter helped me open and navigate a LiveJournal account and the fandom world was my oyster. I still feel a sense of awe, privilege and excitement. I have remained firmly multi-fandom and whilst I sometimes add fandoms to my reading and writing list I never abandon any. However, my two ‘first fanfics’ reflect my lifelong love of both fantasy and sci-fi.

If anyone wants to join in the 30 day meme, let me know and I can give you the list of questions.

My Novel Is Published!

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Self-published, of course, but then you knew that.

(Takes a deep breath)

Now I need to market it and I’m telling you all about it here in the hope that some of you might decide either to buy it or to recommend it to someone you know who might.

The purchasing details are as follows:

https://www.smashwords.com/books/view/533349

http://www.amazon.co.uk/s/ref=nb_sb_noss?url=search-alias%3Daps&field-keywords=jay%20mountney

If anyone wants a free review copy, let me know by email or in a comment and I’ll send you a coupon for Smashwords. Obviously you’d then have to review it somewhere – maybe just on your journal – and explain that you had a free copy for that purpose. You wouldn’t have to be gushing about it – any publicity whatsoever is welcome. And obviously I’d have to email it to you to avoid giving everyone the freebie. I tried that with my last publication and it resulted in a lot of downloads and no sales.

(And yes, Chris, I know you have already done a great job for me! Many thanks!)

I am hopeless at marketing. Don’t tell me to get a Twitter Account or a Facebook one. You have to build up a following on those and I haven’t, so it’s too late. Besides, I gather from a lot of writer friends that the amount of work and time you have to put into those is out of all proportion to any sales they might generate. I would welcome any other advice!

The story is the first in a series called The Skilled Investigators. The ‘heroine’ is a female elf who wants to be an investigator (detective in our terms) and has to solve a murder mystery before she can be accepted as a trainee. Her assistants/sidekicks are a teenage dragon who imprinted on her at hatching, and her brother. The brother is gay and provides the romance subplot for the series but there is no explicit sex.

Whilst it has some similarities to urban fantasy books it takes place in a different world so in that respect it has more in common with other fantasy genres. I deliberately set out to blend the two kinds.

It isn’t intended for the young adult market in particular – I was thinking more of the Tanya Huff/Seanan McGuire/Lynn Flewelling type of reader when I was writing – but it would be, I hope, attractive to older teens looking for coming-of-age stories, either to do with career choices and training, or to do with LGBT issues. As I said, there is no actual sex in the books but plenty of romance and angst. And whilst it is fantasy, there is very little magic.

However, what I really wanted was to merge fantasy and crime and dragons, and hope I’ve succeeded. Anyone who wants to read that kind of merger would, I hope, enjoy the story.

I have finished the sequel – it is just waiting for the dreaded formatting and will probably be published later in the year. The third book is at the ‘listen to your betas and do some amendments’ stage. The fourth consists of some messy notes and the fifth and sixth are just plot outlines. That’s it: the whole series.

The formatting has been a nightmare. Smashwords and Amazon have different views on how to present your manuscript, neither of them really get to grips with the latest version of Word, and it all took a lot of intense concentration interspersed with panic. But it seems to have worked.

I’d be really grateful if you could think of anyone who might enjoy the series and direct them here – or to one of the purchasing pages, though probably here as the offer of a free review copy extends to strangers.

Formatting: alternating boredom and terror.

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So I’m on some kind of home straight with at least two novels. Beta work has been done, text amended to meet various concerns, proof reading done, by me and one of my ‘editors’, and now I have to format for self publishing. It’s one of my New Year’s Resolutions and we’re already in March.

The tedious bit is altering everything so that it has indented paragraphs (preferred for fiction) with no line spacing. Word happily indents previously unindented stuff but I can’t get it to remove all line spaces. Modern versions of Word won’t move between styles easily. The trouble is that for fanfic, especially for AO3, and for travel writing (currently for blogs but possibly for publication) I’m used to writing in block paragraphs. Same with any non-fictional writing I’ve ever done and that’s quite a lot. I tried training myself to use the other method and then had the reverse problem (fortunately on a short fanfic). From now on, I’ll remember to start off in the correct format but for stuff I’ve already written it’s a question of going through and manually altering it where necessary – which gives me yet another chance to spot typos but is boring in the extreme. And until I truly accepted the fact that I would need to do manual edits I was on the way to anger-management classes. Yes, I know there are ways of correcting the text in Word but they take as long as manual editing.

The frightening bit is the formatting for chapter headings and an index that will work for Smashwords and Amazon. Very technical and even one incorrect keystroke can throw the whole thing into disarray (at which point Smashwords/Amazon reject the book and you have to start again). Also, I was using an e-pub program to check, and a much published friend tells me that particular program has been ‘stealing’ work and breaching privacy so I’m going to have to think again. It was bad enough for my novellas; now I’m dealing with novels. Plus, the rules for Smashwords and Amazon aren’t quite the same so you have to do everything and check everything twice.

The other frightening bit is the covers (I design my own), the first ‘front’ pages with all the stuff like copyright info, dedications, etc. and the end pages with links to other works. Plus the afore mentioned index. Smashwords and Amazon keep changing the ‘rules’ so you can never relax. Covers have to work for e-books and also for advertising thumbnails so the sizing is crucial. It also annoys me that after all that hard work Amazon still makes the default first page on Kindle the first page of the story and you have to scroll back to see all the other stuff!!

I keep thinking of all I have to do and then going away and writing something else to cheer myself up. But I’ve chosen self publishing deliberately and must get my act together!! *g* I also need to re-read my own post of November 2012 – and I notice nobody leapt in to guide me through it all!

Two prompts recently filled

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At a recent writers’ group meeting (most of us were fanfic writers) we were given prompts to pick from a hat and a time limit for writing.

My first linked prompts were: ‘a historical personage’ and ‘coming out’. That, in fifteen minutes, produced the following:
Out

A ghost talking? I can see your disbelief. But we’re all ghosts now, those of us who were here two millennia before you. Yet to me it is yesterday and I need to tell someone about it. You’ll do.

The word in the forum was rumour built upon rumour until even the youngsters were scrawling their ideas on the walls; black, white and ochre graffiti. ‘Who the woman in the relationship?’ they scribbled. ‘Who the one shamed?’ Drawings asked questions as rudely as words; laughter came alike from merchant, soldier and slave. But no-one really knew the truth of it; it was all suspicion and turmoil, envy of those in high position, belief that leaders might or even should have feet of clay.

I could have told them. Throughout the campaigns, military and political, I remained silent and so did he. We never spoke of what we shared, even to each other, of the hot sweaty grappling that ended in heaven-sent release. The army was, in any case, a forgiving environment where what men did in tent or camp stayed there and did not follow them back to Rome. And yet it hurt, somehow, to pretend we were no more than friends or colleagues, hurt not to acknowledge the real, closer relationship.

We all knew events were spiralling out of control. We all knew secrecy could breed sourness on every side and that every public mask could hide a growing private bitterness. I knew in my heart that jealousy and a fear of power would eventually rot and spoil what we had together. But I had never thought that love could turn around as if from north to south, into hate.

I never intended to out myself or my lover. Then as I felt my life seeping away, the dagger thrusts hurting my heart more than my body, I could not help but say, with what I knew was a tone of injury beyond mere death, “Et tu, Brute?”

 

My second pair of prompts were: ‘Merlin (the show) or Arthurian legend’ and ‘threesome’. Another fifteen minutes gave me this.

Before

Before the fighting began, before their armies were drawn up behind steel lines, before it was too late… and yet perhaps it was always too late? Anyway, they drank together, trying to find some way back. Drink loosened their tongues and their moods. Drink fuelled a pissing contest, real and metaphorical. Whose piss arced furthest? They were too drunk to measure with any accuracy. Who was the bravest? Gawain might know but he wasn’t there. Who was the most daring? They took time in a confused fashion to tease apart the ideas of bravery in the face of immediate danger and daring in rushing to face danger that had not yet appeared. Who was the best lover? They could hardly ask Guinevere.

The last two questions merged. It seemed the answer could be had from anyone, male or female. They did not so much invite Mordred as hijack him and take him to one of their beds. It wasn’t clear whose bed it was but Guinevere, at any rate, was not in it.

Consensual but very drunken sex followed. If they fumbled and were less than brilliant in their loving, well, all were drunk and unobservant. They all swore a solemn oath on the grail they could not see never to tell Guinevere, or anyone else. Mordred pronounced, his judgement as weighty as that of Paris but less intelligently reached.

Next day they awoke together but fled apart, each thinking someone had played a cruel hoax when they had been in their cups. None of the three could ever recall anything of the night other than a faint feeling that their relationships were not quite as they used to be. Not that, in the end, it mattered.

“Exit, pursued by a bear.”

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SHAKESPEARE AT THE ZOO

“We’re supposed to be rewriting Shakespeare, not messing about researching Polar Bears.” Amy was always grumpy before the keepers brought their morning fruit.

“Not rewriting, writing all over again. But Polar Bears are more interesting. I saw some in the zoo once.” Adam always had a reply for Amy. Of course, he was the leader and was expected to keep everyone in order.

“When?” Amy was brave, questioning him, but then she was always brave. “When you went to the hospital?” Adam just sniffed but Antony looked admiringly at him. A trip to the hospital was an adventurous thing to have undertaken, even if occasioned by a septic toe. The grand outing had spawned enough tales to keep Adam’s image glowing with glory.

“They eat sheep.” Alan looked up from his research and announced this fact to the assembled group. “Well, they eat meat of any kind really, but at the zoo they eat sheep meat. It says here.” He gestured towards the screen. There was a silence, broken by Adam scratching his head.

“Any meat? You mean…” Perhaps a Polar Bear wouldn’t make such a good hero for their story after all. He shuddered and remembered the delicate look of the railings around the enclosure.

“But you’d keep us safe, wouldn’t you?” He knew without looking that that was Antony, so certain and trusting.

“It’s only a story, Antony,” he said, and Amy laughed, pointing at Antony and chuckling, her sides heaving with mirth.

“But you really would?” Antony was insistent and Adam reached out to fondle his head.

“I’m not God, Antony, even in the story,” he reminded him. “But I’d do my best. You know I would.” They all nodded, even Amanda, who was, as usual, distracted by the antics of baby Bill.

“None of us believe in God,” said Charles, leader of one of the other groups. There were about a hundred of them in the huge room and sometimes rivalries and tempers threatened to wreck the supposedly literary atmosphere. “I’m not sure,” he went on, “that we believe in you, Adam, or even in your hospital trip.”

There was a brief but extremely loud scuffle. When order had been restored Adam watched Charles walk away, cowed for the moment but hardly defeated. Charles looked, he thought, a little like a goat, with his wispy beard and the way his ears stuck up like horns. And those slitty eyes… He looked out of the window towards the enclosure where the petting animals grazed and browsed contentedly in the children’s corner. Yes, a goat. Perhaps the next stage in the plotting of the story would involve tethering Charles as bait for the bear. It was turning into quite an epic, with villains and heroes and suspense.

Antony was tugging at his arm, chattering in excitement at seeing his own hero defeat a rival. Antony’s attentions were very satisfying, Adam decided. He fondled the youngster again in a proprietorial manner and they settled to grooming each other, only half aware of Alan and Amy, who were considering a sub-plot of romance.

“If we had Adam and Antony…” Amy began.

“But we thought in terms of a Romeo and Juliet theme,” said Alan.

“Romeo and Romeo would have been just as intriguing,” Amy told him. “And now that you’ve introduced bears I think we have a bestseller on our hands.” And so saying, she grinned before peeling and munching noisily on a banana. The fruit had arrived and all was well with her world.

 

Halloween Drabbles

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I have written, from time to time, drabbles in various ‘fandoms’. They are a form of fanfiction and I have adhered to the 100 word rule in these six examples although the titles are extra. They are all related to television programmes shown in the UK – some of them quite a while ago. They are also all based on the general theme of halloween.

I haven’t given the names of the series. Guess them all correctly (there should be enough clues) and I’ll write a couple of drabbles for you, provided I know the series you choose.

1. Callers.

Janet sighed and closed the door on yet another small skeleton. She had treated each caller with gentleness and courtesy, offering candy and remembering the real monsters out there; monsters they had met and fought. Monsters who would eat these little ones for breakfast. Surely the stream of costumed frights would stop soon and she could relax with a drink and her favourite TV series.

Another knock. But no shuffling or giggling on the step. She hesitated, wondering what waited. Then she heard a voice she knew calling, ‘Trick or treat?’ and opened the door gladly to a smiling Sam.

2. Clubland.

The canal water gleamed like mercury, poisonous and thick. For a moment Vince imagined creatures from some Cheshire lagoon or aliens from the Doctor’s adventures, boiling into the street. He shivered and drew back from the low wall. Halloween was depressing enough without nightmares like that. Then his friends spilled out of the club, backlit by the pulsing neon glow, and he was cajoled into his usual role of best mate, chauffeur and all time gooseberry. The monsters were all too real, green-eyed and menacing. A turnip lantern in a pub window grinned fitful mockery as he accepted the keys.

3. Foreshadowing.

Nick watched Wani sadly. The man had always been as sleek and as independent as a cat, dark and magical. On their first meeting Nick half expected him to leave by the window and prowl the rooftops. Now he had carelessly squandered his nine lives and was clinging to the earth by the tips of his claws. He would haunt their usual places, that was certain. Whether Nick would see him next Halloween would depend on how far he had cast his sickness along with his spell. Others would see a momentary beauty swirl through the dark streets and wonder.

4. Monsters large and small.

Trick or treat. He’d give them trick or treat. He’d treat them to a piece of his mind. Parents should have more sense. Didn’t they know how dangerous the streets were? Paedophiles and drug pushers didn’t go home and draw the curtains just because it was Halloween. Rosy-cheeked ladies offering apples might have hidden blades in the sweet flesh. Idiots, prey and predators alike.

Andy found himself hurrying, wishing he’d stayed at home. John might be trusting enough to open the door. And Theo…

He would have to trust John. Meanwhile, he growled at a small ghost who fled, terrified.

5. The Knock.

“Trick or treat, missus?”

Dipping her hand into the sweet jar, Ros threw a handful of toffees at the sheeted figure.

“Nah. Me mum says them things’ll rot me teef.” The ghost was still solid; Ros realised money, rather than sugar, was modern halloween currency.

“Shut the door and let them do their worst.” Adam’s voice galvanised her.

“Trick,” she snarled. The snick of the latch was satisfying, although she could expect jam or glue in the lock later. She went back to the bedroom.

“Thought we were the spooks,” she said wearily. “We’re no match for the real thing.”

6. Touchdown.

“The planet of Halloween!” His face broke into a creases of delight. “Imagine! Trick or treat every day and pumpkin pie after every meal!”

Donna was less than thrilled. There were shadows that loomed, stalked and flickered; flames where there should have been darkness and darkness where the sun should have shone.

“What do you want to see first?” he asked. “The Sea of Souls, the bat colony in Outer Ghoul, or the Witch King’s palace?”

She shook her head.

“Spoilsport!”

Donna shrugged. She had always hated things that went bump in the night. She wanted to go home. Now.

Birthday ficlet

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My last post, promising or threatening to upload ficlets, was well received. As it’s my birthday next week I thought this very short flashfic (posted to a Yahoo writing group in 2009) might be a suitable first ficlet for this blog. I’ve altered it slightly and added the photo. I sometimes make online cards for my friends, using my own photos of flowers and natural scenes. Then I photoshop to get special effects and this is one of my efforts. So here’s the story, all 269words of it :

Writer’s Block

It was exquisite. The paper, thickly textured and probably hand-made, was deep cream, cut or perhaps torn in squares about the size of the palm of his hand. The sheets, piled into a rough cube, were fastened with a lavender ribbon that crossed and recrossed, finishing with a sophisticated knot and softly trailing ends. The gift came wrapped in gold tissue with a card that read: ‘from Hilary, with best wishes.’

Tom phoned his friend. “Thank you! It’s lovely! But what’s it for?”

“Your birthday, of course. Duh!”

“Well, yeah, I figured that out but what do I do with it? I mean, I never use snail-mail and my phone saves all my messages.”

“You know what you were saying last week? About having ideas when you were cooking or watching TV?”

“So?”

“So I thought of this. Dan Sweeney makes them and sells them in his gift shop.”

“And he deserves to do well but that still doesn’t tell me what it’s for. Is it supposed to give me ideas?”

“Stoopid!! You’re supposed to keep it in a convenient place. With a pen or pencil. It’s a writer’s block.”

Tom let his fingers caress the surface of his new aide-memoire and wished he could transfer the gesture through the phone to Hilary’s skin. “Thank you again,” he said. “You can be sure I’ll make good use of it.” He sighed happily and went in search of a suitable writing implement. It was a most satisfactory present. Somewhere to store his thoughts that would also remind him of the giver; riches indeed.

A question

74. question

This is my writing blog. I use it for all kinds of things connected with my own writing, other people’s writing, and writing in general. I have another blog for more personal stuff.

I intend to use this as a kind of website – I have a website (under another name) but it’s full of fanfiction and reviews. My fanfiction is now all hosted on Archive Of Our Own and most of my reviews are either here or on my personal blog so I’m intending to scrap the website when the payment comes due again, and use this as my main site.

I’ve noticed two things about this blog. The first is that most of the people who comment are people who also connect with me on other sites or in other ways. The second is that whenever I post poetry I gain more ‘likes’ and new ‘followers’ but virtually no comments. Interesting!

I want to ‘advertise’ my writing here, as well as discussing writing, so I’m considering posting short flashfics. Some time ago I belonged to a writing group where we used prompts and encouraged each other to write. I drifted away from the group, for all sorts of ‘real life’ reasons, but I still have copies of all my prompt responses. I’ve been looking through them and think some of them might appeal to readers so I will start occasionally posting. And with some pieces I might alter them either a little or a lot. They were all written quite quickly and it could be interesting to work on them. There probably won’t be many comments because my ‘usual’ commenters are drawn from people who have almost certainly seen the pieces before. But maybe I can entertain others?

What do you think? Might people read?