July Reading and Viewing


Reading

3July E Savage City**** – Sophia McDougall. The final part of the Romanitas trilogy. Excellent and gripping writing but… During the first two books I got incredibly attached to some of the core characters. Now that I know their fates and futures (some dead, some on unexpected  paths) I don’t think I will ever be able to re-read the first two parts. That saddens me in some ways because I adored those books. The third – well, clever and satisfactory but not quite as special.

4July E Beneath the Neon Moon** – Theda Black. I usually like werewolf stories but this was strange. Two guys, strangers to each other, are kidnapped and chained together in a cellar. One is bitten and will soon ‘change’; the other is intended as his first prey. They have to trust each other in order to escape though the bitten one will still be a werewolf. Unsatisfactory.
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5July E Blind Items*** – Kate McMurray. Forgettable, though well written, m/m romance between a left-wing journalist and the son of a conservative senator.

6July E Blind Space*** – Marie Sexton. Space pirates. Some rather dubious non-consensual sex, fetishes, justifications of piracy, and insufficiently developed characters. I was sufficiently interested to read to the end, and the actual writing was quite good but I wouldn’t recommend it wholeheartedly.

7July E Human for a Day**** – edited by Martin H. Greenberg and Jennifer Brozek. An intriguing anthology of stories where something or someone becomes human for twenty four hours. There are swords, cities and statues as well as robots and zombies. As usual in an anthology the quality was varied but there were more memorable stories than poor ones.

7July E Are You There, Blog?*** – Kristen Lamb. This was an attempt to show authors how to use social media to sell themselves and their books. Despite the blurb, I learnt nothing new, and found the style (and humour) too American to read happily. I’m sure I probably ought to be on Facebook and Twitter but for now I won’t be following the advice. But it might inspire me to post about it…

8July E Forgotten Soul*** – Natasha Duncan Drake. Another story by this author who is a friend. I can admire the writing and plotting but as I am less than enamoured of most vampire stories I am unlikely to read the sequels.

9July E The Only Gold***** – Tamara Allen. Unusual thriller with an m/m sub-plot, set in nineteenth century New York banking circles. Pinkerton’s agents end up chasing bank robbers through one of the worst ever snow storms which paralyses the city. Interesting and well written.

10July E City Falcon***** – Feliz Faber. Intriguing m/m romance based around the research into using birds of prey to control bird strikes at airports.

11July E The Book of Dragons* – E. Nesbit. Collection of Nesbit’s short stories about dragons. I vaguely remembered enjoying her children’s books but this irritated me. The narrator voice was omnipresent and alternated between condescending and coy. Even at the time these were written this must have grated on a large part of the readership.

12July E Floaters** – Joe Konrath and Henry Perez. A short and competent thriller. Konrath is a good writer but in his attempts to have lots and lots of ebooks available I feel he has lost the interest of this reader at least. This story, co-written with Perez and involving both writers’ detectives, never really gets into the character of either.

13July E Hammer and Air** – Amy Lane. This was intended as an m/m fairy tale but I thought it was heavy handed and had far too much explicit sex for the genre.

14July E A devil’s own luck**** – Rowan McAllister. Competent and entertaining m/m version of a typical Georgette Heyer style Regency novel.

15July E The Song of Achilles** – Madeline Miller. A disappointing retelling of the Trojan Wars which got rave reviews (which was why I bought it). Unlike other modern versions of old legends and ancient history this was too short, and it was impossible for me to become sufficiently involved in the story to forget the ending. The narrator was Patroclus and he was an interesting character but Achilles never really became three dimensional.

17July E His Hearth** – Mary Calmes. Forgettable story of a demon hunter who needs a ‘hearth’ or human to ground him.

19July E Enlightened* – J.P.Barnaby. An unlikely tale of teenage m/m romance. Very American and very annoying as it turned out to be the first part of a serial, not a series as the title page suggested. I won’t be reading the rest.

21July E Kill for me***** – Karen Rose. The third part of a story started in Die for me, though the books can be read alone. Excellent convoluted thriller, which, as usual for this author, has the reader on edge until the last minute.

26July E Stolen Moments** – Ariel Tachna. Long and boring story detailing the difficulties of a gay relationship in the southern states of America. I felt sympathy for the characters but kept wanting to yell at them to emigrate to Europe. The writing was good and I’m sure the author had the best of intentions. Maybe the book just wasn’t directed at me.

I read more original fiction than usual this month, perhaps because I was in Portugal with no TV, magazines, etc.  Unfortunately, the books I had loaded on my Kindle didn’t include many ‘keepers’.

Viewing

24July The Prestige**** Interesting film, with some good acting by Hugh Jackman and Christian Bayle. The story concerns the deadly rivalry between two stage magicians at the end of the nineteenth century and moves between England and America. The insights into stage magic were fascinating. The plot was occasionally impenetrable.

25July The Bridge***** Final part of the Swedish/Danish TV thriller based around police co-operation between the two countries after a body is discovered on the centre of the bridge between them. Some excellent acting and suspense – this was a ten part story with each part taking an hour. Subtitles.

31July Mirror Mirror**** An interesting take on the story of Snow White. The plot is tweaked slightly to good (and feminist) effect. Some lovely special effects and clever fight scenes. I adored the monster. Some of the humour was rather heavy handed. Altogether a pleasant experience but not a film that I would bother rewatching.

Fewer films etc. than usual, because in Portugal we can only get news channels on TV and I hadn’t taken DVDs.

For anyone who’s wondering, the photograph is of a wall of cut plaster work in Alsfeld, Germany.

While our music gently plays – a poem

I’ve been somewhat absent – our Portuguese internet provision is erratic to say the least. The lemons in our garden are erratic too. Now I’m back in the UK and back online. So to get another post in before the end of the month I thought I’d share a poem I wrote some time ago, originally for a gamer who was also a musician.

While my music gently plays.

There are goblins playing in our streets tonight;
Sharp teeth snapping,
Thin hands clapping,
While my guitar gently sings.

There are ogres creeping past our gate tonight;
Large ears swivelled,
Huge feet muffled,
While your drums gently thrum.

There are orcs standing at our corner tonight;
Fierce arms folded,
Wild faces calmed,
While my pipe gently thrills.

There are elves travelling on our road tonight;
Bright eyes laughing,
Wide mouths grinning,
While your accordion gently hums.

There are warriors knocking at our door tonight;
Shields held proudly,
Swords shining boldly,
While my cymbals gently clash.

There are creatures pasing through our town tonight;
Filling your dreams,
Playing my games,
While our music gently plays.

June Reading and Viewing

We’re in Portugal, with erratic internet access, hence the lack of posts in the last couple of weeks. This little wasp in building a nest on a pile of coffee-table books in my study. The nest will probably have to go, but meanwhile, I am fascinated.

Reading and Viewing

Reading

4 June E With a twist*** – Jack Kilborn and JA Konrath. Clever ‘locked room’ mystery but not very memorable.

8 June E Westward Weird***** –  an anthology edited by Martin H. Greenberg and Kerrie Hughes. The stories, a really odd mixture of sci-fi, fantasy, paranormal and horror, are of a uniformly high quality and I thoroughly enjoyed the collection. The factor than ties them together is the ‘Wild West’ setting, though the connection is not always as it seems and one or two of the stories take place on other planets or in alternate histories. I bought this because it contains a short story by Seanan McGuire that ties in with one of her urban fantasy series, but I loved all the other contributions too.

14 June P Discount Armageddon***** – Seanan McGuire. The author had a short story in the Westward Weird anthology, set in her new ‘world’ of cryptozoologists (monster hunters) and I had read some snippets on her blog. So I bought the first novel in the the series and it was excellent: exciting, well-written and fun, with lots of well-imagined non-humans including a dragon under Manhattan. But although I admire it, it didn’t really hook me the way the October Daye series does. I wait impatiently for the next October Daye novel; I think the cryptozoologists will be more of an occasional read.

14 June P The Ice Dragon** – George R. R. Martin. I assume this was intended as a children’s book; it is short, fully illustrated and simply told. However, it’s a very melancholy story and I’m not at all sure it would be popular with the age range it seems to be directed at. I’m also not sure Martin has really got inside the head of a small child. Disappointing.

15 June E All Roads Lead to You***** – Harper Fox. I love Harper Fox’s m/m romances and after reading about this one on her blog, and the ‘competition’ to name it (no, I didn’t win), I had to buy it. A very romantic and satisfying story of an ex-model who is seeking the boy he thought was a just pizza waiter in Rome.

17June E Against the Light*** – Dave Duncan. The author takes the idea of the Gunpowder Plot and transforms it into a fantasy with magic instead of Catholicism. The story is exciting and the characters are well drawn but the world building fails. References to police officers and people being ‘dorky’ in an essentially historical story simply don’t work. There is also too much explicit description of tortures and punishments.

17June E Lonely*** – Scarlet Blackwell. Sweet but unmemorable m/m romance about a lonely vet who bonds with a client over a dog.

18June E A Solid Core of Alpha***** – Amy Lane. Gripping sci-fi m/m romance. A twelve year old boy, sole survivor of a planetary catastrophe, creates a family of holograms to sustain his ten year journey through space. Then, grown up, he has to face reality. I loved this book.

20June E Sister of the Hedge and other stories**** – Jim Hines. Interesting and very different take on a number of fairy stories and myths. Good writing.

21June E Perfect Day***** – Josh Lanyon. Bittersweet and ultimately satisfying m/m romance short story in which everything hinges on a bee sting.

24June E Close Enough to Kill** – Beverly Barton. Boring and banal serial-killer ‘thriller’. The plot was poor and there was far too much explicit sex between various characters, including the lead detectives, and far too much detail about the killer’s torture programme.

27June E The Quiche of Death** – M.C.Beaton. Boring ‘whodunnit’ with and unpleasant ‘heroine’. The first story in the Agatha Raisin Omnibus. I won’t be reading the other three.

28June E Rome Burning***** – Sophia McDougall. Second book in the Romanitas trilogy, set in a word where the Roman Empire never fell. Exciting, fascinating, romantic, tragic… I enjoyed Romanitas, the first book, and I shall be buying the sequel, Savage City.

29June E Necessity’s Door*** – Fiona Glass. A novella in which a cop goes undercover as a rentboy and is tempted both by the money and by one of his customers. I felt the format was too short to explore the issues properly.

Viewing
1June Star Trek 9: Insurrection.**  Boring. Maybe when it was first made the special effects would have saved it. (I understand it was the first of the Star Trek films to be made with CGI effects.) Watched today it just seemed like an over-long version of a TV episode.

2June Garrow’s Law Season 2***** Fascinating series that mixes fact with fiction to create drama from the life and career of William Garrow, the barrister who is regarded as the ‘father’ of the English adversarial courtroom system. I will definitely buy Season 3.

6June Harry Potter and the Deathly Hallows Part 2 ****  Much better than  part 1, with some excellent special effects, but I wonder if anyone who hadn’t read the books had the faintest idea what was going on? Of course, the majority of viewers would have read the books, but still…

9June The Colour of Magic***** Two linked films on one disc – the made-for-TV versions of The Colour of Magic and The Light Fantastic, overseen and introduced by Terry Pratchett. Excellent sets, special effects and acting – and of course I love the books anyway.

11June Desperate Housewives *****  Season 8 (final season). I’ve followed this series all the way through and loved it. It was quite sad to watch the final finale and I will always remember the inhabitants of Wisteria Lane. Great scripts that combined humour, excitement and tragedy, great acting that made the people seem completely real, and an interesting look at a small part of a very foreign culture.

12June How to Train your Dragon**** Beautifully made ‘cartoon’ (Dreamworks) film about ‘Vikings’ and dragons.  Exquisite artwork and quirky plot. My daughter recommended it and I enjoyed it very much but wouldn’t watch it again now that I know the outcome.

15June Eragon** A rather trite story with very unrealistic sets and some stilted script. I liked the dragon but the rest was disappointing.

Wet Spring – a poem

(I wrote this in May and didn’t post it because we had one glorious week. Then the weather turned grey and damp again. Today is the solstice so if I don’t post it now I never will!)

After the bravery of the crocus bed was dashed
And the daffodils danced in vain
The fruit blossoms hung heavy and long,
Sullen promise of good harvest if the bees
Had not been kept at home
Fearing windtorn wings and sodden fur.
February frosts marched into an April
Whose showers drenched May
But still the flowers rose,
Shaking their sodden blooms,
Turning soaked faces to the rain,
Cajoled out of winter hiding
By the promise of light nights;
Certainly not by a warmth that never came.
Forget-me-nots tried to capture
An audience in the lanes
But humans scurried to car or door, heads down,
Hidden beneath umbrellas or wide hoods.
(Flowers hardly noticed would surely be forgotten.)
Bluebells rang a brazen fanfare to spring
But no-one listened.
Lilac competed with the clouds,
Intending a colour statement to brighten lives
But tints were leached out by leaden skies,
And then the delicate sprays
Were crushed by storms.
Just recently the may decided to recall
That this month was its own peculiar thralldom;
The hedgerows are alive with whiteness
But the skies remain grey.

My first book on Smashwords!

I did it!

My story, Silkskin and the Forest Dwellers is available on Smashwords. It’s free at the moment – a marketing ploy that I’m assured works – so if you want to read it go to https://www.smashwords.com/books/view/170617 and find your preferred download format. For those of you who don’t have e-readers it’s available in  a .pdf version.

To refresh your memories, it’s an alternative fairy tale. The story most of us know as Snow White is transferred to a fantasy version of mediaeval Africa and the young princess is replaced by an adult prince. It got good reviews when I originally posted it in a LiveJournal writing challenge which is why I decided to use it for my first Smashwords venture.

Bear in mind that it’s an m/m romance and is therefore classed as ‘adults only’ so if your filter is on you might not find it, though the URL should take you straight there. (Perhaps this is where I point out that the story isn’t by any means ‘erotica’ – there are maybe two explicit paragraphs in almost 18,000 words.)

Obviously you’re more than welcome to download it just out of curiosity, but if you read it and like it, could I beg you to leave a brief review comment on the Smashwords site?

I still have some formatting worries, though I have no ‘autovetter’ errors so there is nothing dire. Smashwords put all books into a queue for manual vetting before sending them to other online bookstores so there might be advice on its way. However, there are two points I’d like your advice on:

1. I can’t get the copyright/licence notes onto a different page from the title. Smashwords issues dire warnings about using too many spaces via the enter key and I’m not sure how else to get it to a separate page under their formatting system. (And yes, I’ve tried page breaks.) If anyone has first hand knowledge I’d be interested to hear.

2. The squiggles between the sections have defeated me. I followed all the advice and used the same style for each one then some of them drifted to the wrong part of the ‘line’ in the published version. I won’t use centred squiggles again, and I won’t edit until I’m absolutely sure what I’m doing. What do you think? Are four spaces (the maximum recommended by Smashwords) adequate to delineate sections without squiggles, asterisks, etc? Would * or # at the beginning of the line (with a linespace before and after) be a good compromise? Any advice?

Here’s a piece of advice that didn’t occur to me until I was actually uploading my book. I went through all the rigmarole and ‘published’ then had to unpublish very rapidly because the author on the book and the author in the blurb weren’t the same… I’d approached Smashwords through my reader/purchaser route and that was the name they used in the blurb. I looked at the FAQs and found I needed to have a separate account in order to use a pen name, so I had to invite myself, and use a different email address. It’s a small point but just one of those things that make a difference and that need to be sorted out in advance!

Once Smashwords are happy with the book and are distributing it I will probably change the price from ‘free’ to ‘something’ – I haven’t made up my mind what, yet. At that point I will also upload to Amazon Kindle with the same price. So if you’re interested, download soon!

May Reading and Viewing

Reading
2May E Scrap Metal***** – Harper Fox. This is a beautiful m/m romance set on the Scottish island of Arran. I love Harper Fox’s writing style which is very lyrical but at the same time detailed and earthy, and I love the UK settings for her stories, especially the northern ones. She describes landscapes well and her characters, even the minor ones, are very real.  Her romances usually have an element of suspense and violence and this one is no different, but as usual, the story ends on a note of hope for the future.

7May E Cat’s Creation**** – Natasha Duncan-Drake. A competent sequel to Cat’s Call (with the same proofreading flaws). The team have an interesting assignment which takes up most of the book. Probably a very appealing book for YA readers wanting excitement with plenty of character development and coming-of-age plotlines. Now that I have gained some insight into the ‘world’ of Charlie and his cat spirit I am less interested but can still admire the story structure.

9May P The Church of Dead Girls** – Stephen Dobyns. A very unpleasant story about how a serial abduction case (later known to be a murder one) creates suspicion and havoc in a small American town. I was intrigued by rave reviews by writers I respect (e.g. Stephen King) but found myself disliking almost all the characters, including the narrator and the victims, and skimming the detailed descriptions of  society to find out who was the villain. Not an author I would try again.

11May P Treasure Islands***** – Nicholas Shaxson. Subtitle: Tax havens and the men who stole the world. This was a very readable and gripping acount of offshore banking and the effects it has on global finance in general, and the current banking crisis in particular. I kept feeling that I was being told something I ought to have known – and yet the details are carefully brushed under the carpet by politicians and journalists alike, and the ordinary citizen is kept in ignorance. A fascinating book and one that has opened my eyes to the way finance works. Highly recommended.

14May P Piece of my heart** – Peter Robinson. Thriller set in a semi-fictitious Yorkshire Dales which threw me because of my own connections with the area. I kept trying to fit the made-up names and descriptions to real places. The story dealt with a case in 1969 and one today. Eventually, the two turn out to be linked. The modern case concerns DI Banks, a detective I enjoyed in the TV series but found slightly boring in novel form.

15May P Kingdoms of Elfin** – Sylvia Townsend Warner. A few people had recommended this and other books by the same author, presumably because I have written about ‘fairies’. I managed to buy a second hand copy of this one (supposedly her best) which is currently out of print. I was terribly disappointed. Ms Warner’s fairies are arbitrary, cruel and amoral but that wasn’t the problem;  my own fae don’t always adhere to human rules of conduct. The trouble is that the fairies in Elfin (and the mortals, for that matter) are never developed into fully three-dimensional characters. We learn what they do, but not really how they feel about it. I really didn’t care about anyone in the stories and whilst their antics were intriguing it was almost like watching flocks of birds or clouds of insects. Some of the societies and events were brilliantly depicted and the descriptions showed unusual imagination but there was no attempt to develop any empathy or sympathy. I had to struggle to read to the end and only did so to be able to discuss the book with the people who recommended it in such glowing terms.

18May P You Belong To Me***** – Karen Rose. Karen Rose’s thrillers are over the top and somewhat formulaic. They shouldn’t fascinate  me but they do. She creates characters I care about from the first chapter, in some cases from the first page, and the action is always intensely gripping. I put off meals and bedtime to read just one more chapter… So her writing is extremely good, to have such an effect. I think the appealing characters are the key. Other thrillers have fast-paced and exciting plots but don’t hook me. In this story, from the moment when Lucy stumbled across a corpse and met JD, the homicide detective, I wanted them to be together so I read on through 547 pages of angst. It was worth it.

19May E Human Tales**** – ed. Jennifer Brozek. An anthology of ‘fairy tales’ told from fairy and other supernatural points of view. The humans of the title come across as difficult – and sometimes wicked – but always interesting. As with any anthology the quality varied but every story drew me in and made me care about the main characters. Much more to my taste than The Kingdoms of Elfin, read earlier in the month.

23May P Edge***** – Jeffery Deaver. I bought this at a charity shop because I’ve enjoyed his detective novels and because I was interested to see what the author given the task of writing a new James Bond novel could do in a slightly different type of thriller. Edge follows four days in a case of protecting a family who are the targets of a ‘lifter’, someone paid, not initially to kill, but to get information by any means possible. It’s all told in the first person by the main protector and is quite gripping. There’s a great deal of discussion about game theory which is interesting, and the plot has numerous twists and turns. Not my usual choice of fiction but very good, all the same.

25May P Wink**** – Leyton Attens. This is a volume of One Short Story to be Told and I was the latest recipient of the single copy that is travelling around the world. The story was readable and competently written but the main intrigue is in following the story of the stories.

31May P Everything is Obvious (once you know the answer)**** – Duncan J. Watts. Subtitle: How common sense fails. An interesting book about sociology and recent research in the field. The author does indeed manage to get the reader to question their common sense assumptions. The experiments, particularly the ones carried out on huge samples via the internet, were fascinating. The explanations became somewhat repetitive on occasion.

31May P The Rook Trilogy (The Edge Chronicles)**** – Paul Stewart and Chris Ridddell. This is a children’s book – a long saga of war and friendship in a world of humans, goblins and gnomes and stranger monsters, some good and some evil. The descriptions and world building are richly detailed as are the black and white illustrations. I found it interesting and will definitely keep it for my grandson, but I did find myself skimming a lot of the battle scenes. I would probably recommend it for reading aloud to seven year olds upwards and for slightly older children (or maybe just more able readers) for reading to themselves, but the reviews at the back suggest that younger teenagers love the series and are thrilled by the associated website at http://www.edgechronicles.co.uk. There are apparently three trilogies, to date, and a book of oddments.

Watching

3May Ratatouille*** – Disney cartoon film about a rat who wants to be the best chef in Paris. Quite a sweet story but it dragged a little.

16May The Golden Compass** – Gorgeous special effects but if I hadn’t read the book I would be very confused. I assume they are going to make films of the other two parts of the trilogy otherwise there really doesn’t seem much point to the story.

20May Misfits**** – Season 1. Clever dark comedy about a gang of young offenders who get superpowers during a freak storm.

22May The Lakehouse** – I rented this because I’d read an intriguing fanfic based on the premise in the story. Well made but disappointing with an ending that didn’t make sense. The couple in the film are living in different times, roughly two years apart, and though they meet it is never ‘right’. It’s a romance, but a strange one and it never explained how they got together at the end.

24May The Brothers Grimm***** – A gorgeous mix of fantasy, folk tale, horror and humour, with excellent acting and special effects. Slight echoes of Tim Burton and of Pan’s Labyrinth, and all the unusual detail you can expect from Terry Gilliam and Czech film making. I don’t know why this didn’t attract greater critical acclaim.  Highly recommended.

25May Harry Potter and the Deathly Hallows Part 1* – I thought this was a deeply flawed film. I enjoy the Harry Potter world – books and films – but this was far too dependent on knowledge of the book, to make sense, too slow to retain interest, too visually dark and too unfinished. OK, they made Part 2 (and I have yet to watch that) but although the first part of the final book drags in much the same way as the film the slowness is in keeping with the context and the reader is able to go straight on into the rest of the story.  As a piece of cinema, I think this film fails. I think it was made purely with the profits of the series in mind, and not with any artistic vision.

An interesting month with some highs and unexpected lows. What have you been reading and watching?

“One Short Story To Be Told”

Something different…

I was intrigued by the  brain child of Leyton Attens or Stanley Notte (one of those is a pen name or pseudonym, I think) and signed up to the system. ‘One Short Story to be Told’ provides a single copy of each story in the collection. This copy is passed around, via snail mail, preceded by awesome contracts and warnings. ‘Followers’ have to contact each other or Leyton to stand a chance of being the next recipient. There are five stories doing the rounds at the moment and they have travelled from their native Eire as far afield as California and Australia. I was lucky enough to get custody of Wink this month.

It’s fascinating to know you hold the only printed copy of a book. The book itself has a delightful cover, showing a peaceful scene with presumably the same book resting on a bench. If we could see the cover of the miniature book we would probably find a further picture of a book on a bench, and so on. Leyton encourages people to send photographic evidence of the story’s safe arrival and he then publishes the results in a blog. Readers then choose the next recipient and before posting the book, add their comments in the space left at the back of the volume.

The story itself is well written and interesting, quite good enough for inclusion in any anthology of modern short stories. It is raised out of the vast sea of competent stories by the ‘one copy’ concept. It’s a mainstream story, addressing family relationships, and might very easily sink in a large slushpile. Equally, normal self-publishing might fail to attract attention as there is no special genre to advertise. Instead, the author has chosen to make a small but unique mark on the publishing map with his quirky but delightful idea. The result is publicity for the stories themselves and also great enjoyment of the story of the stories.

I asked permission to publish a photograph of Wink here, and was told publication on blogs was actively encouraged.

If you’re interested in Wink and its fellow stories, or just in following their fortunes, here’s the place to find out more.
http://oneshortstorytobetold.com/

Book covers.

All the advice is to get professional help designing a book cover.

I am tempted to ignore the advice. I have seen so many awful professionally designed covers – covers that would put me off buying the book if I wasn’t already aware of its contents, covers that are hard to see at thumbnail size on distribution sites, covers that just don’t appeal to me. This applies to printed books and ebooks equally. And I know authors who have trouble with the art publishers insist on using.

I have spent quite a bit of time studying the requirements and thinking about designing my own covers. I love playing with images to make icons, banners, etc. and I have a huge stock of my own and my family’s photographs to choose from. I don’t even need to find anything on the copyright free sites. As you know if you follow this blog I enjoy manipulating photos – tweaking the brightness, re-sizing, adding text, etc. I’m usually pleased with the results.

So far as I can work out the main things are:
*make sure it can be read in thumbnail size
*make sure it says something about the content
*make sure it doesn’t have too much information; stick to title, author and perhaps genre
*make sure it’s the right size for upload

So how hard can it be?

The picture I’ve used as a sample, to illustrate this post, was made from the photograph below (by me) of a misericord in Chester cathedral. You can see I’ve manipulated the sample quite a bit, before adding text. Both pictures have been re-sized to suit the demands of WordPress but the sample cover is proportionate for a Smashwords book cover. I didn’t actually spend long on this but would take more care with one for epublishing.

I have designed the covers for the first three titles I intend to upload. I’m quite pleased with them and I think they stand comparison with so-called professional ones. I can tweak them – they need to be different sizes for Smashwords and Amazon.

When I actually upload I’ll display them here and hope for comments. Meanwhile, is there anything I’m missing?

Formatting for fun…

I have been struggling with formatting, something that is essential if I’m to self-publish, and I promised to share my self-publishing researches with you, so here we go.

So many people tell you to make sure your book is carefully formatted but leave the mechanics unexplained. So many people, even possibly the same ones, complain about the poor formatting in self-published e-books. I knew I needed to get it all right and I knew I was starting virtually from scratch.  I also knew I needed to do it myself. I don’t want to pay anyone else and even more than that I don’t want to rely on anyone else. I need that element of control which I suspect lies at the heart of the way I have embraced the idea of self-publishing.

I have been reading and re-reading all the advice that is out here in cyberspace and believe me it is not easy or intuitive. Most of the advice bypasses the most basic information and assumes a familiarity with various aspects of word processing that I simply don’t/didn’t have. Once upon a time I did a course on desktop publishing but it resulted in pretty documents that would be no use whatsoever for uploading to an e-publisher like Smashwords or Amazon; it was directed, I think, at the production of privately printed leaflets, pamphlets and things like local magazines. I usually write in RoughDraft and use very few of the bells and whistles that even that comparatively simple software offers. So getting to grips with some of Word’s bells and whistles was the first learning curve. And Smashwords demands a Word doc with no extra hidden formatting. This is essential and they then put it into what they call a Meatgrinder to convert it to various formats – mobi, epub, etc.

I am fairly competent at using more than one word processor, more than one blogging platform, more than one email provider and basic photo manipulation. So I’m not totally technically illiterate but this was quite a lot to take in all at once.

First there was the conflicting advice: leave out the spaces between paragraphs; indent the first line of each paragraph; don’t use the space bar to create indents; etc. I couldn’t get my head round how to produce text that was acceptable and Word’s autoformatting made very little sense to me because I wasn’t writing in Word in the first place. I followed various instructions from various friends and then realised that my text – all my text – was probably riddled with the wrong formatting and I needed to start again. I was particularly worried by the fact that I normally type in block paragraphs. This is in part a hangover from non-fiction work-related documents and in part the convention used by most fanfiction, which is virtually the only fiction I have had ‘published’. My heart sank at the thought of all the work I was, I thought, going to have to do.

I then read and re-read the Smashwords Style Guide. (You can download it free at Smashwords.) At first most of it seemed like a foreign language and I started to panic. Then I experimented with a section of text that had all the features I needed to test: paragraphs, dialogue, and the problem of having been ‘touched’ by more than one word processor system, something that happens when you send things to and fro to betas, first readers, etc. ( I never use italics or any similar problematic formatting other than in titles or author’s notes so that wasn’t a worry.)

Things seemed to be working but I still didn’t quite trust myself or the results. So I consulted my daughter, who is extremely good at stuff like this. She doesn’t use Word; like me, if she wants more than .rtf she uses OpenOffice. But I had my laptop open with the Word document containing the experimental passages and she had the Smashwords Style Guide open on her PC. Together we went through it all, very slowly, and tried each piece of advice. And it worked! (Despite a great deal of interruption by my grandson who wanted to help…)

Even if you normally use Word it is worth following every recommended step because Word is especially adept at adding hidden formatting that it thinks you might like to your text – instead of leaping up with frantic paperclips, as it did in the past, it does it quietly behind the scenes. Then if you have sent your work to a friend to beta and they have viewed it in e.g. OpenOffice, the problems will have multiplied. So here’s what to do.

Basically, treat the Style Guide as a bible. Regard it with religious fervour and follow every step as a matter of faith, even when you don’t understand what it is telling you to do.  ‘Nuke’ your document by putting it into Word, then into Notepad (to remove  the formatting) then back into a fresh Word document. Smashwords call it the nuclear method and recommend it. They also recommend closing Word down and re-opening it to make absolutely sure you have a clean page.  Blitz all the autoformatting and autocorrection options by unchecking them – all Word’s bells and whistles must be removed.  Allow Word to set your document in ‘normal’ style – a style free of bells and whistles.  Turn on ‘show formatting’ so that you can check. Modify the normal style to include indents and single spacing, following the Style Guide instructions to the letter, and check that it has the font and size you want (which is not necessarily how your text appears on the screen). Then highlight your text and click on autoformat. Hey presto! Block paragraphs turn into beautifully presented text with indents and no extra line spaces. Magic!!

At this point, disbelief sets in. You worry that it only looks as if it has worked and that there are bound to be glitches, gremlins, even demons. So, ask Word to save your freshly formatted document as a filtered web page and load it to your conversion program. I use Calibre, which is a brilliant free program for converting documents for my Kindle. (I have Calibre tied to my e-reader format so the conversion was to Mobi but  you choose the conversion default on set-up.) Then click to open and Calibre (and presumably similar programs) will loaded the document to Kindle for PC  (a free download that lets you read Kindle books on your laptop or PC) or if you have chosen e-pub conversion Calibre opens a reader for that.

My document looked perfect!!! We decided that it was possible there might be occasional glitches – for example if a paragraph ended exactly at the end of a line it might, in the course of reformatting and conversion, flow straight into the  next paragraph but this was hardly  going to be earth shattering and certainly wouldn’t draw the sorts of criticisms we had heard and that my daughter herself had made of many e-books.

Then I realised I had to deal with the chapter headings, title page, etc. Again, the Style Guide takes you through it and you can choose heading styles based on the ‘normal’ style but with bigger fonts etc. and you can choose centred styles too. I have checked these out using the same method and they work so I should be all set. If you call your chapters ‘chapters’ and do what the Style Guide tells you, the Meatgrinder will automatically add chapter links and both epub and mobi will start each chapter on a new page.

My main disappointment at the moment is that I have to use the Smashwords/Amazon licence declaration. I would prefer to use one of the Creative Commons ones but haven’t yet worked out whether a) I can, technically (Creative Commons licences come as html) and b) I can, legally (because Smashwords presumably want to control what they see as piracy). I’ll leave that for another day. I’m still trying to work out how to make sure my title page is separated from the licence but gather it varies from format to format and can’t be controlled by the author.

Next time, I’ll talk about cover art. And then about pricing and payment issues.

Once I’ve sorted all this for one book it should be a fairly quick and painless process for each book/story. And it brings self-publication that much nearer.  If any of you want to know more, just ask!

The Dragons of Fantasy – in verse.

I wrote the following some time ago as a ‘gift’ for a friend who commented on something in my personal blog – some kind of offer of poems or stories for the first few people to comment. We both like dragons so that was my theme. The poem references books, TV shows and films but the alien dragons who came to help Anne McCaffrey’s Pern, the television series Stargate Atlantis and the Star Wars films have no existence other than in my imagination, so this is fanfic poetry in only the most peripheral sense. I hope there is no need for familiarity with the various fictional worlds in order to understand the poem – they merely give my dragons a contemporary cultural context and perhaps add an extra layer of meaning to people who are fans of those works.

The dragons of fantasy

(for Zellieh)

When they were fighting thread and dying, when they were going between and tiring,
When they were squabbling and sighing, the other dragons came rushing, flying
Out of the stars, out of the skies, trumpeting softly, rolling their eyes,
Teaching them how to be better and braver and how to preserve their fine planet for ever.
Dragons and riders and lizards all bowed to the dragons who came in a shimmering cloud.

When they were fighting the Wraith and dying, when they were rushing through gates and tiring,
When they were studying hard and sighing, a cloud of dragons came rushing, flying
Out of the stars, out of the skies, trumpeting softly, rolling their eyes,
Teaching them how to be better and stronger, how to defeat the Wraith for longer.
Scientists, airmen, all gave praise to the dragons who’d helped extend their days.

When they were fighting each other and dying, when they were rebels, outlaws, tiring,
When they were giving up hope and sighing, the alien dragons came rushing, flying,
Out of the stars, out of the skies, trumpeting softly, rolling their eyes,
Teaching them how to be better and smarter, how to defeat an old empire and rule there.
Warriors, robots and royalty all gave thanks to the dragons who’d answered their call.

Then the dragons who came from the alien worlds looked at the people they’d lulled with their help,
Bowed to the north and bowed to the east, bowed to each other and began their feast.

I have other gift-poems to post gradually, then I might throw the offer open to my readers here.